Happiness is found downstream. say. Which is why said Dead Men are making their way there. However, when you listen to Downriver Dead Men Go, you get the feeling that the band from Leiden (that's fitting!) joins this band. Gloomy, pathetic, melancholic, dead sad, suffering - one actually fears that DDMG have buried themselves a little too much in their badly staged sadness. The title track, which introduces the third album by the Dutchmen, begins with a melancholy metallic sound - pulpy keyboards form the basis on which two guitars can build up. It has a little something of Paradise Lost - this drama, this bombast.

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The group from Leiden in the Netherlands, now labeled as Cinematic Post Rock, naturally lives it out again in the realms of post rock on their third album. However, 'Ruins' does not traverse the usual wasteland. DOWNRIVER DEAD MEN GO sometimes build up the atmosphere of their compositions with cinematic elements, thus penetrating the usual melancholy that could also come from the Scandinavian region.

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The new album is another musical step forward for Downriver Dead Men Go and shows a slightly heavier and darker side of the band. The individual tracks that fill the program of the album "Ruins" have a wide dynamic range: from exploding guitars to a gentle whisper and touch the boundaries of different musical styles. However, to simplify the matter as much as possible, let's assume that it is spatial post rock in the truest sense of the word.

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